Name: TJ Turner
Author of: Lincoln’s Bodyguard; Land of Wolves: The Return of Lincoln’s Bodyguard
From: Yellow Springs, OH
Can you tell me about the first piece you remember writing?
I remember writing a brilliant piece of science fiction, a short story, when I was in about 5th grade (please note the sarcasm here!) I was devastated that it was not accepted into Isaac Asimov’s magazine! I had a lot to learn. I would love to find that story and to see just how horrible it really was. I wrote it late at night when my father brought home this “computer” thing, and I learned I could write a story, save it, and print it out on our old dot-matrix printer.
When did you first realize you wanted to pursue writing as a profession?
Honestly, it was after graduate school. That experience beat the fun out of me, and I took a long hard look at what I wanted to do with my life. My choices narrowed to astronaut, author, bike racer, or engineer. The first one didn’t work out, even after I chased it to the point of joining the Air Force. The whole bike race thing went pretty good for a while, and I raced at the National level a bit. But the guys who go pro were on a whole other level. I had just finished my PhD in engineering, so I marched happily along that route. When I mentioned to my wife that I wanted to wrote a novel, she told me something like, “that’s way too hard.” Challenge accepted! That first novel is something like that first story—awful!
Is there anyone who went out of their way to help or advise you during your journey to become a published author?
Too many to list! Of course, my wife provided that initial kick (in the posterior). But then I found this really welcoming community of writer’s when I attended the Antioch Writer’s workshop. There I met many other folks on this same struggle to write and become published. In particular, I met Robert Inman as one of the faculty members. He in turn introduced me to his editor, Bill Phillips. Bill read through my second novel, and helped me revise it a few times. Then he delivered the awful news…move on to something else because something in this manuscript is not working. At first I was depressed about that verdict, but then Bill is a man who knows the industry—he worked at Little and Brown as an Editor. And I didn’t have to wait long for inspiration. The idea for LINCOLN’S BODYGUARD struck that very afternoon—for every door that closes! After that, I have several friends who proof-read my manuscripts, to include my wife Nancy, who is brutal in her redactions. Sharon Short, another novelist, has been amazing at giving great focused feedback. And of course, Elizabeth Kracht, my agent is awesome at honing in and finding any flaw. By the time it hits the publisher and my editor, it’s usually pretty clean.
Do you exclusively write historical fiction or have you written in other genres?
So far it’s been just historical fiction. At least all my published works are historical fiction. I know that as writers we sometimes get the advice to “write what you know”, but I think that turns out to be terrible advice. Instead, if you listen to any lectures by Andre Dubus III, I think he nails it. You should write what you are authentically curious about. I love history. In particular, I love American history. I read almost all historical fiction and non-fiction about our nation’s past. So the whole LINCOLN’S BODYGUARD inspiration probably came from that deep curiosity about our own history as a nation.
What is your schedule like when you’re writing a book? Is it difficult to achieve a work, life, write balance?
Absolutely! It’s really difficult to sleep. I don’t force the writing. If I feel like it, I write. If I don’t, then I leave it be. I find that works for me. But I am most productive between 10pm and 2am. The kids are asleep. Nancy has most likely fallen asleep with the TV on, and I can just zone out and write. I like to get a chapter a night in. Once I start writing, I need to finish that chapter or scene. Then the next day I start by re-reading that chapter, editing, and then pushing forward.
How long does it generally take you to write a first draft? How long do you spend on revisions?
About 6 months. I find that process is getting smoother, and at 6 months I’m fairly confident in the draft I have. LINCOLN’S BODYGUARD took me much longer, but that was the first real published work. I learned a lot from that process.
Can you describe the preparation/research you do for each book?
It’s a lot of reading. I can generally narrow it down to a time period, and a general event for background. For instance, with LAND OF WOLVES, I read a ton about the westward migration along the Oregon trail, and then the Lakota wars. So those factor heavily into the second portion of the book. I would say that I spend a good 2-3 months in research up front, then start writing. When I hit walls, I go back to the research.
Do you have any quirky writing habits (the things you’d never want anyone to know)?
And you want me to tell! Well, I never let anyone read a manuscript until it’s all the way done. I let Nancy read one half way once, and she crushed my motivation to keep going on it. So I finish it, then take a couple of passes myself on the manuscript, then I let her read it. Other than that, I keep a list of words (kind of like filter words if you do a google on that term), to search for in my manuscript. That list has been found from experience, and points to places where I need to make my writing more impactful, or closer to the reader.
Have you ever done a literary pilgrimage—or any interesting research—for your novels? If not, do you have a research destination bucket list?
I have! Or maybe more truthfully, the background came to me when I was out on a road trip. Our family took a trip a couple years ago to Yellowstone, to celebrate my in-laws 50th wedding anniversary. So we took an extra week and went along a portion of the route of the Ingles family. My oldest is a huge Little House on the Prairie fan, and she loved stopping at all the sites. So when we traveled through the Dakotas, I started feeling the call of LAND OF WOLVES, and that I had to set a portion of the novel there.
Inspiration comes in many forms. Can you recall the exact moment of inspiration for each of your projects?
So for LINCOLN’S BODYGUARD, that’s easy. When I received Bill Phillip’s recommendation to let go of my current project and move on, I literally left work early. We talked at lunch, and I think I made it another hour before I drove home. I had sunk so much time into that project, to see it flounder was hard to take. It was even harder to have to go home and admit to my wife that I had been spending hours upon hours of my life writing and it would go nowhere. But on the way home I turned on NPR, and Fresh Air was on one of our local channels. Terri Gross was interviewing someone, and they were talking about presidents. When they got to Lincoln she said something to the effect of: “Wouldn’t it be a different country if President Lincoln had a real bodyguard?” And just like that, the title of LINCOLN’S BODYGUARD flashed in my head.
For LAND OF WOLVES, I don’t know if I have such a singular moment. I knew it had to be a continuation of LINCOLN’S BODYGUARD, and I had the first half mapped out in my head. But it took that trip out west to see the second half of the novel. The pull of the landscape and the history there was too great to ignore. It had to go in the book.
And finally, for ANGEL IN THE FOG (working title), which I just turned in, I knew it would be the prequel that would be all about Molly—my female protagonist. Molly really comes into her own in LAND OF WOLVES, and a few friends and readers were hounding me about her story. I just didn’t know if I could write well for a female character, especially as well as Molly deserves. Then, and this is going to sound corny, I first heard the Kesha song Praying, and that was it. I play that song before each writing session on Angel on the Fog. It put me in the right mood to write Molly, and really try to give her the voice she deserved.
Do you have a specific genre you prefer to read? What are your favorites?
It’s been a lot of Historical Fiction, and pure history. I might need to branch out! My favorite books? In non-fiction: Bury my Heart at Wounded Knee, April 1865, the Month that Saved America, and XXX. Those books really show you how many stories we’ve lost to time. How many people who suffered, or persevered, or overcame awesome struggles, that we’ll never know about. I want to give them all a voice, even if I can only write a few books. On the fiction side, my absolute favorite is The Things They Carried by Tim O’Brien. I wish I could write like him. That was the first book where I NOTICED amazing writing. After that, Red Badge of Courage (an oldie!), Cold Mountain, and True Grit. All great reads.
Do you hide any secrets in your books that only a few people will find or know the real inspiration for?
YES! But if I tell you…but yes, I do!
Are your characters inspired—in part or whole—by people in your real life?
Yes and no. They’re all bits and pieces of real people I meet and characters I make up.
Name one book you think is entirely underappreciated.
There’s a few that grab me as being under appreciated. One that comes to mind is True Grit. And I know, it’s wildly popular. But it didn’t win any awards that I can think of, and I think it kind of gets overlooked for one of the principal things it does—places a female character out front as a strong driving lead throughout the book. In fact, she’s the reason the men even take up the whole adventure. If you think about the setting, in the Old West, and when the book was written (1968), that’s pretty interesting. On the truly unappreciated side, there’s this book written by a former aid worker in Afghanistan: Allah’s Angels. If I remember right, it’s self-published, and it could have used some editorial work, but the basic story was very compelling. Again, a female lead in a male dominated world. It may have had its shortcomings in terms of the writing, but the story is something I still think on.
Name one book that was a guilty pleasure.
Glory Road by Robert Heinlein. I first picked it up form a discarded pile in Bagram Afghanistan in 2010. I read it, and thought…what the heck was that? Then I read it again. I still have no idea what really happens in that book, but every once in a while, it makes me think about it. Kind of crazy.
Be honest: Do you Google yourself?
I’ve done it! I admit it…the football player TJ Turner is still way more popular than I am!
As a writer, which animal would you choose as your mascot/avatar/patronus?
I’ll go with the wolf. I like the quote that you sometimes see around: “The lion and tiger might be stronger, but the wolf does not perform in the circus.” It’s a pack animal and needs a family around to succeed. I’ve certainly needed that and continue to need the support of my pack.
Is there one thing you think you, as a writer, should be better at, but secretly struggle with?
I think my biggest weakness is truly flushing out my antagonists. Part of that in my first two novels comes from POV. I used the 1st person, so it’s hard to really get into the mind of the “enemy”. In ANGEL IN THE FOG, I wrote it in 3rd person, and that felt more natural. But the more believable and human you can make your antagonists, the higher the stakes. It becomes a better story.
What is one word of advice you’d give to an aspiring writer?
READ. Then start writing. Then finish writing. Then find someone who loves you to look at it. Then find someone who DOESN’T love you to look at it.
What is one word of advice you’d give to a newly published author?
The same! Being published is just another step in the journey, it doesn’t make you a better or worse writer. Keep striving to improve.
In what ways do you “pay it forward” to help other aspiring writers?
Probably the biggest way is through the Antioch Writer’s Workshop. I’m currently the President of the board of trustees, who organizes and runs the workshop. It’s a great place, where I got my start. So we’ve implemented many programs, including ones for young writers. If you’re looking for a community, come and check it out! We’re all about empowering writers.
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In Lincoln’s Bodyguard, an alternative version of American history, President Lincoln is saved from assassination. Though he prophesied his own death the only way he believed the South would truly surrender Lincoln never accounted for the heroics of his bodyguard, Joseph Foster. A biracial mix of white and Miami Indian, Joseph makes an enemy of the South by killing John Wilkes Booth and preventing the death of the president. His wife is murdered and his daughter kidnapped, sending Joseph on a revenge-fueled rampage to recover his daughter. When his search fails, he disappears as the nation falls into a simmering insurgency instead of an end to the War. Years later, Joseph is still running from his past when he receives a letter from Lincoln pleading for help. The President has a secret mission. Pursued from the outset, Joseph turns to the only person who might help, the woman he abandoned years earlier. If he can win Molly over, he might just fulfill the President s urgent request, find his daughter, and maybe even hasten the end of the War.
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Land of Wolves
Land of Wolves finds Joseph Foster with Molly as they settle into a new-found life in the hills of Tennessee. But Abraham Lincoln’s former bodyguard, the man who saved the President’s life, cannot escape the Consortium as they come roaring back, killing his mother, abducting his daughter—all to coerce his Congressional testimony on their behalf.
Instead, Joseph and Molly strike the Consortium in their own safe haven of New York City. In a Bonnie and Clyde-like twist, they rob from the Consortium to draw out their leader—General Dorsey. But the hidden plan reveals more than they counted on, exposing the true intention to steal the Black Hills and the gold underneath from the Lakota Sioux. Land of Wolves traverses the American landscape, where only a full reconciliation with Joseph’s native heritage and a cast of characters ripped from history—including Lincoln—can bring true peace and stop General Dorsey and the evil Industrial Consortium.
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